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just a graphic idea the intent is the

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blue arrow

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so you're heading down and you're before

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anything is there

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you're aiming at the at an empty spot

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saying i'm going to get some thing to

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come out there

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and then depending on what your which

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direction the whole

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situation is that thing fills up with

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meaning

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a whatever it is yes

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this i think

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a is what leads us yes

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to our to our ladybug now

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it's this whole realm of things that

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fuse

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are come to us in the unconscious mind

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and it's the moment that they fuse into

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the object that we become conscious

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for that i'd need to bring some other

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slides and show you how it works but you

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know it from

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double drawings and things like that our

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mind clicks into one view

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into another view and we're not

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conscious

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of the build up in any way the fusion

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the build up whatever you want to call

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it the coming together

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happens out of consciousness

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and consciousness awakens with the

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object with the concept

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that arrives so

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from this we can conclude the mind

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conscious not conscious and in

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both infused with intent

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produces concepts

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there's no essence to the concept but

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in acting as if there was one zoom

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yes the arrow a concept

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is formed and such is the power

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and since time is short

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i just one little anecdote for the for

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the end

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if we look at intent and causality

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we saw intent as the point

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the end point is singular and that's the

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name of what's going on

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the beginning fuses back into the whole

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and if we and this is as much part of

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reality

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as is the same structure

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which is causality as it's usually

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described

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without going into and so you have the

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initial

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impulse the impulse spreads

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one billiard ball knocks another

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billiard ball that one knocks a few

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others that knocks a few others

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energy dissipates in friction and so on

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and so forth and

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in the end of it all it's all

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dissipating out into the world

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as the the world's entropy rises

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and so we have a form a country a

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contrast of forms

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and it's interesting to note that

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causality of course is with the push

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and intent is being drawn

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these are just a few thoughts

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that come from that that we have time

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for right now

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in peering into how concepts are formed

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and taking back from the article in

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the new scientist where the person is

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trying to describe things in terms of

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what you see and what you don't see

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and leaving out according to the way i

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understand it

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the whole impulse of intention

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and of course its subjectivity and with

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that

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when you played with your fingers

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and i said ladybug yes i didn't think

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i knew right it wasn't a thought process

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it was a

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knowing yes there wasn't any cause or

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effect it was

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right how do you explain that oh uh

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there are two things there first of all

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if you want an explanation of your

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intuition

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in knowing what i was thinking about

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there are people here who can speak

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about that much better than i could yes

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but if you're talking about the fact

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that you did come up with something

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yes sure you came up with ladybug but

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the whole idea

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what drove you to an to an a concrete

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object

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yes to a some kind of entity some thing

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is the the mindset you had of

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or the intent of reaching such a single

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object because the mind can be geared to

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in another way

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you did that by holding it like that

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yeah

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i i it's you yes you you certainly

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picked up on something that was

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happening

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in my mind too yes

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peter that was such a wonderfully

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artistic

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presentation of uh the the uh

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importance of uh intention uh but

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i i i wonder whether you've left out the

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other side

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which is that uh a a whole large side of

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the cone

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that explores possibilities and we tend

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to emphasize in discussing consciousness

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uh uh uh too often

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a specific willed outcome rather than

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the

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distributed attention that explores

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possibilities

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intuitively with the right brain and so

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forth and i wonder if you would comment

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on that

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thank you very much for bringing it up

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because i i couldn't arrive there in the

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20 minutes that i had

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and or 15 minutes and yes very

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definitely

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this intent at finishing with an end

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this particular endpoint

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is one structure of intent yeah

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and what you're talking about right

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brain or something like that we can look

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at what it

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what happens when you let go of that

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intent and

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there's another structure forming thank

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you

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what about intentionless processes such

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as meditation

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and so on in which one tries to remove

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intention

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so as to come to some sort of a

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conclusion or concept or

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the again

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the intent that i described here

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is the intent of the denotative

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conscious

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a rational mind and it's also the drive

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behind

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a classical science

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there is a letting go of all of that

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yeah

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and the letting go of all of that is

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that it allows for a whole

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new possibility of

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of of integration in fact i was going to

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do an exercise with you for

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that but i i think we it's it's finished

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yes in no time now

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so but uh in other words

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there is such a thing as letting go to

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get the big picture

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also of stepping back and wanting to get

174
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a feel of a hole because

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holes don't come through

176
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a a hole is not made by the rational

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mind

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the concept lands in our lap so to speak

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ready made but behind that is the

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working of the unconscious mind

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which is producing it and if we take

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away the goal

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of ending up with some particular thing

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there are all sorts of possibilities